A New Pastel Figure en Plein Air

Our “Painting the Museums en Plein Air” class had our final get together for 2014 on Wednesday morning at Spalding House on Oahu.

Michelle 2

Our model, Michelle, took a reclining pose…and we took advantage of superb weather and luscious surroundings to put in a couple hours with her before having our traditional Artist’s Holiday Bohemian Bacchanalia (Christmas Party).  We had a great time, and I’m happy to have been able to work with this fine group.

A straightforward approach to painting a pastel figure outdoors

As an informal demonstration, I decided that a small pastel piece that dealt directly with the subject in terms of color, shape, and value alone would be interesting. The piece was done without a preliminary drawing, but just as a seeing project.  Simple, mostly squarish strokes ( I refer to them as “tiles”)  of the appropriate color and value placed selectively and as simply as I could.  Very clean color can be had this way.

Michelle sleeping

I fussed with it a bit after, but essentially it’s a direct-from-nature piece, 7 1/2 x 10 inches on some pale yellow Ersta paper I have.  I have plans to frame this one rather soon for a small show, so the frame, mat, and glass are waiting.

If you are interested in finding out more or joining us, you are welcome to check the schedule for our upcoming class here. 

Pastel Portrait…a moment revisited

autumn pastel Autumn, pastel on paper , 18 x 24″

I received word that this painting, which has been in my flat files for perhaps six years now, is going to be purchased. Pulling it out and re-viewing it brought back a lot of memories.

A Moment Revisited

The subject, A. T., was in college in NYC as an art major but here in Hawai’i on a visit home.  Now, she’s happily married and with two children, something that certainly wasn’t on her immediate horizon then.  I was doing mostly the ocean pieces that many viewers are used to seeing, and wanted to exercise (or revive) the portrait side of myself.  So I engaged her for a few drawings and paintings during afternoons. I thought it was a good fit. We talked about life a lot while she was posing.  I was a Sunday School teacher at the time, and  my thoughts tended toward the philosophical and spiritual, which is still true I suppose.  Posing is tedious work and she did very well. Things change, people change, and life passes quickly.   I should do more of these. They don’t stop any of the change, certainly, but they contain it somehow and there’s a solid satisfaction in providing that for other people’s lives. Autumn cropped